The king of BounceHall Music (Reggae/ HipHop/ Bounce/ Grime) SaBBo gets the High Chai reworking of his electro-Moombah smash “Come to Me” from 2011′s Sub Continental Bass album.

The first in a series of remix EPs from that title, this collection features heavy hitters MING (already garnering early support from Kaskade (OWSLA, Ultra, Elektra), Dead Battery (who just remixed Kamo & Crooked on Hospital Records) & veteran house producer Deep Influence (Tommyboy / Blueplate Global), alongside a choice grip of young talent.

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FreQ Nasty is joined by a stellar line-up of High Chai fams on this heavy remix EP compiled by label head dimmSummer:

Liquid Stranger: currently selling out venues across the US with Excision (The X Tour), Liquid Stranger is well known for his machinegun basslines and deep dub roots.

FS: of the legendary duo MING&FS, solo career has skyrocketed in less than a year with every release hitting the top 5 Beatport Dubstep charts.

B.R.E.E.D: HCR’s original badman from India is blowing up bassbins worldwide and just recently won VH1′s MyFav DJ for Dubstep/DnB.

Knight Riderz: Canada based duo known as Knight Riderz are producing lazer bass bombs in a 12 dimensional world of twisted low frequency induced hip-hop.

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Support from:

The Crystal Method / Downlink / Datsik / Dr P / Liquid Stranger / FreQ Nasty / Aquasky / Calvertron / High Rankin / Muti Music / Flinch / Starkey / Reid Speed / General Midi / HULK / We Bang / Mark Instinct / Mumdance / Afghan Headspin / Ed Solo / Run Riot + more…

ABOUT FREQ NASTY:

Born in Fiji, raised in New Zealand and formed musically in the dance music revolution of London in the late 90’s, FreQ Nasty started his career on the seminal UK label Botchit & Scarper in the late nineties, moving to SKINT Records in 2003. He went on to release a slew of cutting-edge records, collaborating with and remixing a diverse range of artists including Fatboy Slim, Kelis, KRS One, Roots Manuva, Rodney P, and Reggae legend Junior Delgado.

2008 saw the release of ‘Creator’, his crossover hit collaboration with MIA producer Switch and NYC hipster Santogold, and the ground breaking FABRICLIVE 42 mix CD, which was picked as DJ Magazine’s compilation of the month. He is one of Burning Man festival’s most loved DJs, where he brings his signature mix of Drumstep, GlitchHop, DubStep, DrumStep, and all things Bass heavy every year. Early 2011 saw the release of Dread at the Controls on California’s cutting edge bass music label Muti Music, which launched the 17-city Monsters of Bass tour with Marty Party and Opiuo.
On December 6th, FreQ’s latest Low FreQuency Pureland EP dropped, and was selected by DJ Mag as the MoneyShot release for December, receiving a 10 out of 10. With the cutting-edge re-design of his website and worldwide release of his new EPs, FreQ is making a powerful entry into 2012.
This spring, expect to see studio collaborations with UK’s Si Begg and Virus Syndicate, California’s Bassnectar, and Canada’s Knight Riderz, along with upcoming solo releases on Muti Music and High Chai Recordings, all leading up to the summer festival season, including appearances at Glade Festival and Secret Garden Party in the UK, and Symbiosis in the US.

New York City’s own bass-slinger, Jumpshot is a force to be reckoned with in the EDM/dance music scene.
Jumpshot has been doing his thing since 1996 when Kool G Rap on 98.7 Kiss and Fat Beats was just starting to bubble. Taking notes from the heavy-hitters of the era, he began to deliver hip-hop, trip-hop, and drum & bass bangers, one after another, and proceeded to spread them through the streets well into the 21st century.

Fast-forward a few years, and Jumpshot is making a tremendous impact in the EDM circuit. His first EP, released in May of 2011 on Synth City Records (The Raw Uncut EP), charted #29 on Beatport’s Top 100 tracks in the dubstep genre in its first week. He soon followed up with another devastating release on Play Me Too, featuring an eerie vocal riff of M.I.A.’s “Galang”.

Striving to keep a musical and melodic aspect to his productions, he often uses samples from older classical pieces, such as on “The Raw Uncut EP” (Synth City Records; dubstep) and the “The Night Shift EP” (High Chai Recordings; dubstep, drumstep, moombahton), converting them into something truly sinister. This in conjunction with gritty hip-hop or classic soul vocal samples gives him the ability to deliver countless bass-heavy street bangers that go straight for the jugular.
Currently, Jumpshot is working very closely with MING (yes, that MING) and 2Beeps, pulling all-nighters religiously at Hood Famous Music, working to raise the bar with a forthcoming project entitled SOME SWANS ARE EVIL.

What’s next? Breaks, electro house, moombahsomething, influenced by hip-hop, jazz, soul… a hint. Definitely something that will keep your heads ringing, so keep your ears peeled for more releases from Jumpshot & S.S.A.E. throughout 2012.

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With several hard-hitting releases already under his belt with labels like Six Degrees, RubADuck & Monkey Dub, Sound Avtar’s cutting edge music production, creativity and innovation is ready to be showcased in his first full length EP with the High Chai fams. Crate these joints that span Dubstep to Moombahcore, mixing dj experience, diverse drum patterns and heavy bass drops into one monstrous package.

Top Gun take the piss right out of the date with retro guitar licks that would make any oily muscled “Iceman” proud. Highway to the dangerzone is paved with bass.

Bass Pistol aims to please the more dubbed out crew on the floor with rasta vox and big room bass drops. Sound Avtar has packed some heat here.

Finally Lazer Face boasts a switch up worthy of a rewind. Low tempo breaks give way to high energy Electro Moombahcore. This is next-level business.

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David Timko (aka SLAVE) began producing music at a very young age, being first trained in classical music styles on the concert piano and gaining an understanding of the disciplines of music theory. Years later, he found himself listening to his first electronic dance music- trance. As he grew in his spectrum of musical understanding, he was pulled into the local rave scene and has never turned back.

After learning what it truly means to party, he fell in love with the music and the people who listen to it and decided he had to let it flow through him. Now, David has embraced his musical calling in the persona of Slave, and is well on his way to becoming a game-changer for the scene. Slave’s diverse style ranges heavily, but will always deliver a bass-heavy, high energy flow of music that the crowd will always ride and love. Slave always keeps the floor moving- and he has only just begun.

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